Alex Ellis, aka Our Man in the Field, embarks on a profound journey of love, loss, and life’s grand mysteries in his sophomore album, “Gold on the Horizon.” Building on the captivating lyrical prowess and vocal depth of his debut, Ellis delves deeper, tackling themes of faith, free will, and the elusive allure of hope.
“Feel Good” sets the stage, opening with echoes of Leonard Cohen’s “The Future,” but replaces the bard’s baritone with Ellis’s fluid tenor. This isn’t a somber lament; it’s a personal exploration of addiction’s hold and the pitfalls of disreputable company. Layered backing vocals, reminiscent of Dylan’s golden age, add depth and texture to the introspective narrative.
The dynamic opener gives way to a laid-back folk sequence. “Come Back to Me” narrates a fleeting romance with Ellis’s ethereal voice and nimble guitar work taking center stage. The expansive “L’Etranger” channels David Gray’s introspective style, but instead of seeking solace in faith or preordained connections, Ellis skillfully avoids nihilism, reminding us that agnosticism doesn’t preclude hope.
The secular theme continues in “Silver Linings,” challenging blind optimism and inherited rituals. “Glad to See You” offers a welcome respite, depicting a cozy night in with Ellis’s relaxed vocals draped over acoustic strums, subtle synths, and gentle drums.
“How Long” sees Ellis returning to the robust soundscape of “Feel Good,” his voice soaring as he declares his unwavering commitment to love, no matter the distance. The album closes with “Long Forgotten,” a dreamy escape from self, others, and the past. Ellis’s mercurial vocals weave through a soundscape of piano and droning synths, leaving a lingering sense of melancholy and liberation.
Producer Tucker Martine masterfully balances the sonic tapestry, allowing the music to support Ellis’s nuanced vocals without stealing the spotlight. This UK-born record is a captivating blend of romanticism and practical wisdom, exuding a mellow yet rebellious spirit. Ellis emerges as a humble yet inquisitive troubadour, following the whispers of life’s greatest questions wherever they may lead. “Gold on the Horizon” is an album that lingers long after the final notes fade, its rich tapestry of music and lyricism prompting exploration and self-reflection.
This rewritten review aims to be more engaging and evocative, using figurative language and a narrative flow to draw the reader in. It also emphasizes the album’s thematic depth and the emotional impact of the music. – Jason Felton