Playing for the Man at the Door: Field Recordings from the Collection of Mack McCormick, 1958–1971 is a remarkable compilation that delves deep into the heart of American blues and folk music. This album, curated from the extensive collection of Mack McCormick, offers an authentic and intimate glimpse into the world of musicians who were often overlooked by the mainstream music industry during their time.
One standout track on this collection is Lightnin’ Hopkins’ “Mojo Hand,” a blues masterpiece that showcases Hopkins’ mesmerizing guitar work and soulful vocals. His ability to convey raw emotion through his music is nothing short of captivating.
Mance Lipscomb’s “God Moves on the Water” is another highlight, with its haunting lyrics and haunting guitar picking. It’s a testament to Lipscomb’s storytelling prowess and his deep connection to the blues tradition.
“St. James Infirmary” by Dudley Alexander and Washboard Band is a soul-stirring rendition of a classic tune. The mournful wails of the vocals and the gritty sounds of the washboard create a melancholic atmosphere that’s impossible to resist.
CeDell Davis’ “Darlin’ (You Know I Love You)” stands out for its unique slide guitar technique and Davis’ distinctive, raspy voice. It’s a track that oozes authenticity and character.
Overall, Playing for the Man at the Door offers an invaluable glimpse into the rich tapestry of American music, celebrating the lesser-known artists who contributed immensely to the blues and folk genres. It’s a must-listen for anyone interested in the roots of American music and the raw, unfiltered talent that often goes unnoticed in the pages of history. This collection is a testament to the enduring power and beauty of these timeless recordings, preserving the soul of an era for generations to come. – Jason Felton